Six unlikely but doughty youngsters fall into the path of a colossal and dreadful supernatural darkness that has invaded our realm from the outer limits of shadow. They have no choice but to spend their lifetimes battling it, enduring one nightmare after another in the process.
This outlines the narrative, roughly, of Stephen King’s iconic book It (a standout in his career; undeniable). It parallels of Stephen King’s offspring Joseph Hillstrom King’s recent horror doorstopper, in which a band of six invoke the age-old, utterly malevolent serpent the Dragon King from the Endless Night to assist them in vanquishing some antagonists. As one might expect, their arcane ceremony goes awry.
Joe Hill launched his profession making great efforts to distance himself from his renowned parent, adopting the nom de plume he still uses today and eschewing in-person meetings with his agent (he bears a strong similarity to his father). However, in his newest work, he fully acknowledges it. Certain passages that intentionally mirror some of King’s most famous (“The man in black fled across the desert …”); a moment that brings to mind a recurring theme in King’s works (a battle of wits). In this whopper of a novel, Hill is delighting in his heritage, and we delight along with him.
Returning to the group: the majority are scholars at the made-up the esteemed institution in Maine. We have Arthur, bookish and gifted, cracking ancient puzzles in his free moments; the character Colin, rich, astute, and known for crushing those who oppose him; twins Donna and Donovan; the stunning Allie. And there’s Gwen, who remains outside their academic circle, but becomes a key part of their band as they toy, half believing, somewhat doubtful, in arcane arts.
The protagonist finds himself, due to circumstances beyond his control, compelled to pilfer rare books from his treasured institution’s archives by a group of neighborhood thugs. This wounds his academic spirit, particularly as he’s compelled to seize the collection’s foremost and unsettling title: the journal of practitioner this enigmatic character (put to death “for trafficking with the devyll in 1703”; the binding is crafted from his flesh). The intrepid group examine the log, realize they are able to call forth what the occultist details as a “arrogant beast to aid our hero with his blackmail problem – and occupy the subsequent narrative facing the fallout. King Sorrow will undoubtedly remove those annoying regional antagonists, but they’ll have to choose a different victim each year or become his victim themselves. As Arthur later puts it: “You sow dragon’s teeth, all you get is further monstrosities.”
Covering a generation, the author shifts with effortless ease through various literary forms: as the allies strive to manage the predicament they find themselves in by, variously, picking people who are obviously evil to immolate, or searching for methods to kill the dragon themselves, we transition from page-turner to grim fantasy, clandestine torment to love story to horror. A standout transition was to a heroic journey, within the subterranean depths below Cornwall, a section sprinkled with the fantasy maestro that was wonderfully frightening.
The novel features trolls – the classic variety and online ones, properly scary and superbly depicted. We see enchanted blades and treacheries, pulse-pounding sequences of bravery and instances of terrible wickedness, both earthly and supernatural. This is a remarkable achievement: a horror novel that is above all a ode to the imagination, and to affection and camaraderie. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the friends gather at the table, getting ready to invoke their serpent into existence with the strength of their collective will.
In the author’s own words in his epigraph: “Here be dragons”. Do not overlook this.
A gaming technology analyst with over a decade of experience in the casino industry, specializing in slot machine mechanics and trends.